(The English subtitles are color-coded according to which language they are translating.) One scene takes place during a German-language Lutheran service, but the town also has Catholic and Orthodox congregations. Like a significant minority around these parts, she is ethnically Hungarian, and speaks Hungarian when not communicating with Sri Lankan workers in English, or code-switching to Romanian as the occasion demands. Those who feel pity die first, I want you to die last.”īy far the most sympathetic character is Csilla, rivetingly played by State. Matthias comes from a Roma background that is referred to pejoratively several times, though any victim status he might claim is undermined by his sexism, his contempt for Ana, and the way he communicates his love for his traumatized son through survival skill lessons and harsh homilies like, “You have to not feel pity. Most obviously there’s the fact that the community was fractured long before the arrival of the foreigners, and uneasy religious, ethnic, linguistic and cultural tensions, that may not interfere with day-to-day coexistence, require only the slightest tap to froth to the surface. This barely scratches the surface of the issues raised by Mungiu’s intimidatingly intelligent, occasionally opaque screenplay.
The arrival of the two men, and then a third, sparks a wave of racist indignation through the small town, bringing ugly sentiments to the surface of this pretty but increasingly sinister locale.
Meanwhile Csilla, with whom Matthias rekindles his old romance, needs to fill five additional positions at the bakery in order to qualify for an EU grant, and turns to hiring migrant workers from Sri Lanka willing to work for the salary that locals, who can get better-paying jobs abroad, will not take. His sheep-farmer father Papa Otto (Andrei Finți) - possibly just a father figure, since it’s not clear if they are actually related - is ill, and soon Matthias will have to take him to hospital for a brain scan procedure called an R.M.N. He hitchhikes back to his outwardly bucolic Transylvanian hometown, and demands access to his son from his estranged wife Ana (Macrina Bârlădeanu). Matthias, we discover, is Rudi’s father and Csilla’s erstwhile lover. “R.M.N.” is a slow-motion snapshot of a deeply riven community flying apart in all directions, as though some bomb, detonated years or perhaps even centuries ago, has never stopped exploding. But that would imply the story of the film is one of convergence, in which the pieces will eventually settle to reveal some grand unifying design, where the trajectory is in fact the opposite. The temptation is to liken this fragmentary approach - a departure, incidentally, from the singleminded narrative dynamism of Mungiu’s Palme d’Or winner “4 Months, 3 Weeks, 2 Days” and his Cannes Best Director-awarded “Graduation” - to the building of a mosaic. Csilla (Judith State), who runs a small bread factory, discusses with her boss the difficulties of attracting local bakers at the minimum-wage salary they’re offering. Matthias (Marin Grigore), a worker in a German slaughterhouse, responds to a racist slur with stunningly instant violence, and flees into the night. Rudi (Mark Blenyesi), a little boy walking to school, comes across a sight in the woods that is kept offscreen, but that instills in him such terror he runs home and ceases speaking. Laid out in discrete scenes of astonishing clarity and density, with the rigor of their construction belied by the spontaneity of their presentation, the connections between the various strands are initially difficult to discern.
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The title is not, in the end, some kind of code for “Romania.” But if it were, it would be appropriate: The enormous, troubling, intricately pessimistic “R.M.N.” from director Cristian Mungiu, probably the pre-eminent filmmaker of the Romanian New Wave, is little less than a pared-back state of the nation, a microcosmic analogy for an entire shattered society boiled dry of its softening vowels, in which only the harder elements - the bigotries, the betrayals, and a surprising number of bears - remain. MHRA 'RMN', All Acronyms, 14 June 2023, Bluebook All Acronyms, RMN (Jun. RMN, All Acronyms, viewed June 14, 2023, MLA All Acronyms.
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